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| Welcome to Phaeder’s music site. There is a lot of cool and sometimes outrageous music here! In fact it’s a music career that spans thirty years of writing and performing in many different genres. If you like to utilise tracks from this site, please contact me and i will reply.
Thanks Phaeder |
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2000 MACHINES2000 machines is a perpetuum mobile: Acid rock fragments , blow torches on speed, Androids, steel hammers, grinding tools and dirty analogue loops . Machines write music for machines playing -you listen or not. Does it really matter if your consciousness has an organic entity for a host or a machine? Phaeder |
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INCURSIONS into the BardoIS OUT RIGHT NOW on this site under creative commons license. Use the contact form to get the trax. German Trance, Dark Trance, psychedelic, fast intense… Only one track missing: “The Snake Man Visit”… Snake Man, if you read this text me ASAP! |
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LOTUS BEAT“With an organic mix of Asian drumming and Tibetan rhythms fused together by deep throat chanting, he has produced a collection of drum’n’bass, techno and downbeat which would mix effortlessly onto any dance floor. ” NZ Musician |
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EFJ“Odd guitar, weird tapes, flamenco from Saturn, sine waves turned into sound, alien voices,trouble in mind! You know you’ll love it! “ Graham Reid |
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Emerald“Peter Haeder’s melodic layered guitars transport the listener into a place of mystery and myth. A long-time Buddhist and meditator, Peter is a multi-instrumentalist whose music lyrically and emotionally evokes his spiritual aspirations. Performed with mastery and passion, Emerald lifts classical, flamenco and jazz guitar into a higher realm. ” Kiwireviews.co.nz |
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Fire CircleFire Circle is half the reason i wrote Emerald… The critic said something like:” Phaeder has the sun in his belly” and he bemourned the fact that it was not released on CD… Now it’s on the internet in 320kbps mp3 format. Things have changed indeed, but the sun is still in that belly! Phaeder |
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Singularity“Pleasing any number of people musically is always going to be a challenge, and this CD passed that challenge with flying colours. It was an instant success.” Kiwireviews.co.nz |
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Kling KlangKling-Klang was Haeder in a variety of settings from solo, to duets with Steve Garden on percussion and piano, a trio track adding bassist Bob Shepheard, and finally in a quartet with pianist Phil Broadhurst. Even now the album stands up: Haeder’s guitars and deep voiced chanting (he is a longtime Buddhist) made for an album that was very different in New Zealand music. Graham Reid - elsewhere.co.nz |
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